 
        Wizkid vs. Davido
Is this a rivalry, a bromance, or just prime entertainment? The conflict between Wizkid vs Davido stands as the most riveting and longest-running feud in Nigerian entertainment history, evolving from friendly competition into a decade-long saga fuelled by die-hard fans and constant social media skirmishes. While the artists have had moments of unprecedented unity—such as supporting each other through personal losses—the tension always resurfaces, turning their relationship into a fascinating “love-hate affair”.
The War of Words and the ‘001’ Claim
The latest flare-up, which some have dubbed “World War III,” reignited in April 2024, plunging the Afrobeats scene back into chaos. The conflict intensified when Wizkid publicly declared himself the “Number 1” and ‘001’ artist of the Nigerian music industry. Davido’s camp quickly responded. His logistics manager, Israel DMW, publicly mocked the declaration, challenging Wizkid to “Drop gbedus shit” (successful hits) if he truly deserved the title. Israel DMW further urged Wizkid to “Retire from music” honorably if he was fed up, and berated him for shading Don Jazzy.
Character Attacks and the Scrutiny of Talent
The feud often shifts focus from musical output to character flaws. Wizkid ignited controversy by posting a cryptic tweet referencing a viral video of Davido making “pleas for something personal”. When challenged, Wizkid stated, “I do not engage with untalented individuals!”, asserting that Davido “lacks talent”.
Meanwhile, critics label Davido a “snake and a pretender” who is adept at “playing victim”. He faces accusations regarding his personal life, including “cheating on his wife,” “impregnating only-fan models,” and “coercing his pregnant concubines to get an abortion”. Some industry observers argue that because both Wizkid and Burna Boy have issues with Davido, this “may suggest that Davido is the problem”. Despite the intense drama, many Nigerians view the feud as essential “entertainment” and a way to cope with real-life problems.
 
         
         
        